Here's a second shot of the restaurant that Issa and I photographed in Oman. Unlike yesterday's shot this isn't quite what it seems, as I'm sure you'll appreciate if you've taken a look at the original; i.e. it's a composite of two shots: one for the restaurant and petrol tanker, the other for the foreground.
The reason for this is part pilot error, part technical limitation of my 16-35mm lens, i.e. there should have been enough depth of field to get this in one shot but the building in the f/16 version was too soft. So, rather than go with a less than ideal foreground I decided that putting the two together was a better option.
captured camera lens focal length aperture shutter speed shooting mode exposure bias metering mode ISO flash image quality RAW converter image editor plugins (etc) cropped?
12.04pm on 21/11/12 Sony SLT-A99 Sony 16-35mm f/2.8 Carl Zeiss T*
28mm
f/8.0 (& f/16.0 for foreground)
1/500
aperture priority
+0.7
evaluative
100
no
RAW
Camera Raw
Photoshop CC
none
minor
Here's a second shot of the restaurant that Issa and I photographed in Oman. Unlike yesterday's shot this isn't quite what it seems, as I'm sure you'll appreciate if you've taken a look at the original; i.e. it's a composite of two shots: one for the restaurant and petrol tanker, the other for the foreground.
The reason for this is part pilot error, part technical limitation of my 16-35mm lens, i.e. there should have been enough depth of field to get this in one shot but the building in the f/16 version was too soft. So, rather than go with a less than ideal foreground I decided that putting the two together was a better option.
camera
lens
focal length
aperture
shutter speed
shooting mode
exposure bias
metering mode
ISO
flash
image quality
RAW converter
image editor
plugins (etc)
cropped?
Sony SLT-A99
Sony 16-35mm f/2.8 Carl Zeiss T*
28mm
f/8.0 (& f/16.0 for foreground)
1/500
aperture priority
+0.7
evaluative
100
no
RAW
Camera Raw
Photoshop CC
none
minor